"I didn't mean to trouble you to do that. My justification," said Mrs. Gereth, sitting there warmly and, in the lucidity of her thought, which nevertheless hung back a little, dropping her eyes on the gravel—"my justification was all the past. My justification was the cruelty—" But at this, with a short, sharp gesture, she checked herself. "It's too good of me to talk—now." She produced these sentences with a cold patience, as if addressing Fleda in the girl's virtual and actual character of Owen's representative. Our young lady crept to and fro before the bench, combating the sense that it was occupied by a judge, looking at her boot-toes, reminding herself in doing so of Mona, and lightly crunching the pebbles as she walked. She moved about because she was afraid, putting off from moment to moment the exercise of the courage she had been sure she possessed. That courage would all come to her if she could only be equally sure that what she should be called upon to do for Owen would be to suffer. She had wondered, while Mrs. Gereth spoke, how that lady would describe her justification. She had described it as if to be irreproachably fair, give her adversary the benefit of every doubt, and then dismiss the question forever. "Of course," Mrs. Gereth went on, "if we didn't succeed in showing him at Poynton the ground we took, it's simply that he shuts his eyes. What I supposed was that you would have given him your opinion that if I was the woman so signally to assert myself, I'm also the woman to rest upon it imperturbably enough." How had Mrs. Gereth known in advance that if she had chosen to be "vile" (that was what Fleda called it) everything would happen to help her?—especially the way her poor father, after breakfast, doddered off to his club, showing seventy when he was really fifty-seven, and leaving her richly alone for the day. He came back about midnight, looking at her very hard and not risking long words—only making her feel by inimitable touches that the presence of his family compelled him to alter all his hours. She had in their common sitting-room the company of the objects he was fond of saying that he had collected—objects, shabby and battered, of a sort that appealed little to his daughter: old brandy-flasks and match-boxes, old calendars and hand-books, intermixed with an assortment of pen-wipers and ash-trays, a harvest he had gathered in from penny bazaars. He was blandly unconscious of that side of Fleda's nature which had endeared her to Mrs. Gereth, and she had often heard him wish to goodness there was something striking she cared for. Why didn't she try collecting something?—it didn't matter what. She would find it gave an interest to life, and there was no end of little curiosities one could easily pick up. He was conscious of having a taste for fine things which his children had unfortunately not inherited. This indicated the limits of their acquaintance with him—limits which, as Fleda was now sharply aware, could only leave him to wonder what the mischief she was there for. As she herself echoed this question to the letter she was not in a position to clear up the mystery. She couldn't have given a name to her errand in town or explained it save by saying that she had had to get away from Ricks. It was intensely provisional, but what was to come next? Nothing could come next but a deeper anxiety. She had neither a home nor an outlook—nothing in all the wide world but a feeling of suspense.!

"They'll read it first," said Mrs. Gereth. "Then, in God's name, what must I do?"

"If he shouldn't be there," Fleda interrupted, "there will be no harm done." They still stood where they had met. Fleda's instinct was to keep him there; the more so that she could already see him take for granted that they would immediately proceed together to her door. He rose before her with a different air: he looked less ruffled and bruised than he had done at Ricks, he showed a recovered freshness. Perhaps, however, this was only because she had scarcely seen him at all as yet in London form, as he would have called it—"turned out" as he was turned out in town. In the country, heated with the chase and splashed with the mire, he had always rather reminded her of a picturesque peasant in national costume. This costume, as Owen wore it, varied from day to day; it was as copious as the wardrobe of an actor; but it never failed of suggestions of the earth and the weather, the hedges and the ditches, the beasts and the birds. There had been days when it struck her as all nature in one pair of boots. It didn't make him now another person that he was delicately dressed, shining and splendid—that he had a higher hat and light gloves with black seams, and a spearlike umbrella; but it made him, she soon decided, really handsomer, and that in turn gave him—for she never could think of him, or indeed of some other things, without the aid of his vocabulary—a tremendous pull. Yes, this was for the moment, as he looked at her, the great fact of their situation—his pull was tremendous. She tried to keep the acknowledgement of it from trembling in her voice as she said to him with more surprise than she really felt: "You've then reopened relations with her?" Fleda, on the threshold, kissed her; then they went out.